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・ The Mystery of the Black Jungle
・ The Mystery of the Black Pearl
・ The Mystery of the Blue Diamond
・ The Mystery of the Blue Train
・ The Mystery of the Blue Train (film)
・ The Mystery of the Brass Bound Trunk
・ The Mystery of the Burnt Cottage
・ The Mystery of the Cape Cod Tavern
・ The Mystery of the Chinese Junk
・ The Mystery of the Clockwork Sparrow
・ The Mystery of the Condor Hero
・ The Mystery of the Disappearing Cat
・ The Mystery of the Double Cross
・ The Myst Reader
・ The Mysterians
The Mysteries
・ The Mysteries (album)
・ The Mysteries of Alfred Hedgehog
・ The Mysteries of Glass
・ The Mysteries of Harris Burdick
・ The Mysteries of Laura
・ The Mysteries of London
・ The Mysteries of Love
・ The Mysteries of Paris
・ The Mysteries of Pittsburgh
・ The Mysteries of Pittsburgh (film)
・ The Mysteries of Providence
・ The Mysteries of the Horizon
・ The Mysteries of Udolpho
・ The Mysteries of Verbena House


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The Mysteries : ウィキペディア英語版
The Mysteries

''The Mysteries'' is a version of the medieval English mystery plays presented at London's National Theatre in 1977. The cycle of three plays tells the story of the Bible from the creation to the last judgement.
==Background==
It is based largely on the Wakefield cycle of plays (but incorporating some scenes from the York, Chester and Coventry canons) and adapted by poet Tony Harrison, working with the original cast, into three parts: ''Nativity'', ''The Passion'' and ''Doomsday.'' Directed by Bill Bryden, it was first performed on Easter Saturday 1977 on the terrace of the National Theatre building on the South Bank, London. It then went into the repertoire in the Cottesloe Theatre (part of the South Bank complex) later (in 1985) transferring to the Lyceum Theatre—then in use as a ballroom and so without seating.
Harrison's concept was to present the original stories as "plays-within-plays", using as his characters the naïve but pious craftsmen and guild members, to some extent modernised to represent the trades of today—God, for example, created the world with the help of a real fork-lift truck—acting out the parts of the story that their mediaeval counterparts would have done. At the start of each performance actors dressed as tradesmen welcomed the audience. This allowed him to tell the stories in a simple but direct and compelling way and allowed the modern audience to relate to the devout and impassioned spirit of the original players. The performance was a promenade one, with the audience mingling with the actors and making up the crowd at such scenes as the last judgement. The Evening Standard reported witnessing "An extraordinary experience... no wonder the end of it all saw an explosion of communal joyousness with everybody, actors, musicians, and audience alike, cheering and clapping and singing and dancing."
Many well known actors appeared in the productions, including Brenda Blethyn, Kenneth Cranham, Edna Doré, Lynn Farleigh, Brian Glover (as God), Karl Johnson (as Jesus), Richard Johnson, Mark McManus, Eve Matheson (as Eve), Jack Shepherd and Robert Stephens (as Herod).
The actor and musician John Tams and his Home Service band provided the folk music accompaniment and a selection of tracks from it was published on CD.
The 1985 Cottesloe version was filmed for Channel 4 Television. A revival of the cycle was chosen by the National Theatre to mark the millennium celebration in 2000.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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